Quackery In The Health, Aging & Beauty Circles

True beauty stems from genetics, optimal wellness and integrated optimism. Optimal wellness is the combination of physical, mental, emotional, and spiritual wellbeing.

The wellness industry went a bit overboard in recent years. This morning I was reading about the Goop website and various pitches by Dr. Gundry who advocates a very restricted diet, makes multiple bizarre medical claims, and sells copious amounts of equally strange sounding supplements, things like “lectin shields”. Can’t you just envision a warrior with a huge bronze shield over his heart and vital organs, as he goes to do battle with his leaky gut? It almost sounds heroic doesn’t it?

If one of these health gurus wrote a fictional book, it would be like a video game inside the body. The good guys are navigating the blood stream in hurricane zodiacs with lectin shields and various other supplements to enhance their powers. The pirates sprouted from beans – and came surreptitiously sneaking out of a leaking gut. Whoa! Before you know it, there is a real bowel-optic war going on inside of you. It used to be a joke to describe someone who has a shitty outlook on life, but now it is about being double crossed by the foods we eat. The leaky gut promoters tell us we need to add more warriors to the mix. You must translate money into supplements as benefactors for your gut.

One thing this health craze has brought on, is an increase in liver disease. Twenty-five per cent of liver disease is now related to supplements. In addition, post-op bleeds can often be attributed to supplements that alter the clotting factors. One can never assume the supplements will not interact with other drugs and should always be included with the information provided to first responders and other medical professionals.

I often wonder about those who refuse to eat ordinary food, because of all the health guru hype. The list of things various quacks tell people to avoid includes; all grains, beans, nightshade vegetables, dairy products, meat, bananas, grapefruit and so on. What if people who adhere to these diets were faced with starvation or famine? Would they refuse to eat bread or meat? What do they eat?

The gist of the Goop website is that women are seeking autonomy. So how exactly are we are going to get autonomy from the ideas and beliefs of Gwyneth Paltrow? To me, that’s sort of like basing your spiritual beliefs on the celebs that have joined Scientology. Can’t we just say, “Whatever floats your boat” and ignore them?

Does being an actress make you a health expert? If she is advocating for autonomy, then why is she pitching so much misinformation? Autonomy means self-directed, not being spoon fed a bunch of fluff by someone who thinks everyone wants to be just like her. No one is just like her. Nothing is going to change that. Not even taking her advice, range of supplements, and quirky products will change the fact we will never look or act like Gwyneth Paltrow. She, like most of us, still has a whole lotta living left to do…Only time will tell how she manages it all. She has set herself up for some critical scrutiny as she ages.

Supplements of every kind, along with a multitude of alternative and fringe treatments are now the norm. I think it’s good to make informed choices, with autonomy over our own health a consistent priority. We don’t need the far-fetched claims of others in order to gain self-determination. They seem to be capitalizing on little more than the notion of cult celebrity followings. We need to listen to our own bodies and sensibilities.

Between the two extremes of conventional medicine and some of the alternative approaches – is where common sense might prevail. In reality, individuals must navigate the unmapped territory leading to their own health and recovery. The only real guide is your own intuition. The thing to guard yourself against is treatment and medication with a stronger dose of hype than benefits.

There is no magic pill. The body has tremendous capacity for healing. We need a wholesome diet, exercise and rest. No matter what happens to us, unless it kills us – first the body stabilizes and then it begins to heal, gradually. Our job is to pay attention to the problem, research it; and then carefully sift the information and advice we are given for quackery, fraud, and pure profit motive.

With a balanced and more secure perspective, we are better equipped to make informed choices. There are good reasons to include some discipline into the daily grind. Our own awareness can alert us enough to help offset everything from repetitive strain injuries to heart attacks and strokes. We are better off to find ways to keep the endorphins flowing and the cortisol levels lower.

I believe each individual is unique with specific genetic markers, developmental attributes, psychological and emotional make-up, addictive tendencies, athletic inclinations, intellectual interests and so on. When we go to a doctor, they have no idea what we put into our bodies, how we think, or what our genetic history is. They can stitch up a wound, order an X-Ray, write a prescription and give you advice. When it comes to trauma, bowel obstructions, automobile accidents, ectopic pregnancies, and countless other mishaps – conventional medicine is not to be scoffed at.

But when it comes to the habits of everyday living and the vague, foggy complaints of fatigue or general malaise – we get hooked. Yeah that’s me! I need a fix. Then as we age, it’s all about chronic disease and inflammation. If we believed all the supplement promoters, we would be living on little but supplements and green juice. We would be taking co-enzymes and handfuls of gelatin capsules  thinking we can make ourselves glow in the dark, emanating an instant revitalization and youthful vigor.

As far as judging a person’s health choices, I don’t think we should. But I do believe in common sense and warning people to filter it all, and use caution when tempted to buy into some of those questionable concepts.

For starters there is no such thing as “age reversal”. How could there be? As an example, there have been some very interesting early studies on the long-term effects of Botox, which made sense to me.

Apparently the way the face is innervated with the network of craniofacial nerves, there are neuronal pathways to the brain affecting the movement and coordination of the hands or “hand-mapping” associated with the nerves in the forehead. It is only a matter of time before they figure out the physical global effects of repeated Botox injections. A person might start to look and act borderline catatonic after a few years.

Another interesting thing about Botox is the effect on communication. Apparently we learn a great deal from facial expressions and tend to mirror them. Empathy and compassion, fear, contempt, curiosity – are all part of reading people’s faces. Some articles surmise this can impact relationships. Children in particular rely on facial expressions and tend to make very accurate assessments.

Recently I noticed Celine Dion has come out with a skin product with some extraordinary claims. This product boasts it will put plastic surgeons out of business. I laughed when I read about it because I remembered shopping with my sister one time. We got taken in by an expensive skin cream with similar claims. We each decided to buy one with the agreement to use it faithfully every day. The observation on our mini clinical trial was going to be put to the test, the next time we saw each other. We agreed we would be brutally honest. A few months later when we saw each other again, we took a good long look at each other’s faces, and in unison both of us quipped…”Nope. It didn’t work”.

The gluten free craze is another interesting diet phenomena. For one thing, only one per cent of the population truly has celiac disease. In the past, the diagnosis was based on symptoms and biopsies of the intestine. Now they can do a definitive diagnosis. Canada has about 35,000 true celiac cases, which are tracked on a data base. Although there is a genetic factor, apparently there is never a direct genetic association because of the way it is spread genetically. In addition, it is very difficult if not impossible to go completely gluten free due to the extensive cross-contamination of grains.

For those who truly do have celiac disease, they will react to a homeopathic dosage of gluten. Therefore it is common for them to have frequent flare ups even if they are vigilant about gluten. One of the most interesting things about celiac disease is that many who suffer from it have found they can eat slowly fermented artisan breads, especially sour dough.

For those who do not have celiac, by all means avoid anything that bothers you. But in actual fact, if we don’t have celiac disease, there is no reason to avoid gluten and many good reasons to eat healthy grains.

One of the main things to note about the gluten free craze, is that it brought a whole range of packaged and processed foods, high in sugar, additives, and fats, yet there is a perception this is healthier. The perception is based on a couple of books written by health gurus describing wheat as the worst thing ever grown in a field – and presto, no more gluten for half the population. Hopefully it is a fading trend. I tried going gluten free myself a few years ago – but my gut feeling was that it didn’t make much sense. Plus the gluten free bread is gross in my opinion.

We often hear about leaky gut as the cause for all kinds of health problems. But that too is a manufactured term. There is no proof such a diagnosis even exists.

As far as navigating my own ideas about health, I place autonomy at the top of the list. Therefore I avoid doctors, prescriptions, supplements, and more recently  dropped all OTC medications joining the list of “things to avoid”. The biggest vice for me was to finally kick the sugar habit.

There was a fair bit of reluctance to give up sugar. I love fresh ground dark roast coffee with cream and sugar first thing in the morning, and cannot get used to coffee without it. So, coffee goes out the window along with the sugar. I’m still experimenting with substitutes for the morning java. After trying everything from chicory root to vanilla yerba mate, nothing holds a candle to the old fashioned sugar laden cup of coffee. The only other time I managed to quit sugar was in the seventies after reading a book called “Sugar Blues.” It wasn’t long though, before I lapsed into my old ways. Ha! But this time I’m serious. I think last time I lasted about a year, so only time will tell.

Part of the initial adaptation to decreasing or eliminating added sugar is in screening the labels on everything you buy. You need to take a light loupe to the grocery store to read the tiny fonts on the labels. There are a few sugar free salad dressings. Most sauces have added sugar. Almost all processed food has sugar and additives. I find it easiest to stick with fresh whole foods and fresh baked artisan bread. There are also brands of nut butters without any added sugars.

There are things in both conventional medicine and alternative medicine to be embraced by people keen to regain their health and vitality. On the flip side, both have a multitude of things to be avoided. Personally, I would never take chemotherapy. Nor do I go for mammograms as I think they are a hoax. The thought of a CT scan gives me claustrophobia. I skip all pre-screening tests and always have. Denial has its place in life.

Whether we agree with another person’s choices or not is irrelevant. So many of our health choices are based on fear. Many other decisions are based on what some other authority tells us is best for us. We get so used to hearing what is best for us, we hand over our better judgment simply to serve someone else’s profit motive. Don’t expect anyone other than those who love you, to be THAT interested in your health or well-being.

We fail to realize fear itself is the cause of much disease and disharmony in the body. Our psyche, emotions and spirit inhabit our physical bodies, yet we are hesitant to factor those in when we start fretting over our health.

Aging and death are inevitable. We don’t need piles of pills and supplements. As a rule, they do more harm than good. In long-term-care one of the most glaring things I noticed was that those who were the most out of control also took the most psychoactive medications. The healthiest ones could be a hundred years old, and all they took was a baby aspirin each day.

My own advice for optimal health, which I most certainly have not always followed myself but am more inclined to do now: Listen to your body and trust your intuitions. Reduce dependency on medications. Don’t quit any medicine cold turkey, but taper it down gradually. Avoid surgery if you can heal without it. There is always a risk of infection and/or developing scar tissue that can cause problems later.

Lean toward holistic and individually tailored approaches to healing and therapy with careful research. Monitor your progress based on how you feel. Be patient and trust in the body’s incredible capacity to heal.

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Some Modern Design Elements ~ Hawked From Spiders & Birds

Daring V-Neck Top Made In Italy

Valentini Italy – Winged Evening Top

See By Chloe Sleeveless Jacket

Demi-Couture Cocktail Dress Made In France

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

Is Sterling Silver Really The Poor Woman’s Gold?

There is an old adage referring to sterling silver as being the “poor man’s gold”. But for such a title, sterling silver could not be described as the next best thing to gold, because there is such a difference between the two. Regardless of the huge difference in value, there are many reasons to choose sterling silver over gold.

Sterling silver lasts a long time and cleans up beautifully. Whereas in my opinion, the thing to avoid is gold and silver plated jewellery, because over time the plating wears off. Jewelery should not turn into junk within ten or twenty years. As a matter of fact, fine jewelery – if taken care of should last forever. For example, the new Hermes bracelets are plated with platinum, which is not a good deal for seven or eight thousand dollars each. They will not stand up to the test of time.

Sterling silver is a more relaxed medium for artists, allowing creative freedom in the design, to include clunky and large pieces, and best of all – the extensive use of coloured gemstones. You don’t see that in gold jewelery very often.

The modernist lines, open work, and carving in some sterling silver, is quite remarkable. There is time-consuming finesse in the workmanship involved. Sterling silver can be worn with any outfit, from casual to ballroom. From bold and heavy to delicate and cascading, it can be matched to the style of an outfit and the personality of the wearer. It does not have the look of being overtly gaudy or ostentatious – yet there is enough pizzazz in some of the designs to turn heads.

For a fraction of the cost of gold – you get artistic workmanship second to none. Personally I would rather buy a unique artisan sterling silver piece of jewelery over and above a platinum plated Hermes bracelet any day, regardless of how much money I had to spend.

Therefore in my humble opinion – the oxymoron in the old gold adage, is that the gold plated jewelery is really the poor woman’s gold, even though it might be very expensive.

And sterling silver? If it is well crafted, nothing beats it for everyday wear. For special occasions – there are some sterling silver gemstone statement pieces that can rival any other jewelery design or materials.

The silversmith world is full of master craftspeople who exhibit endless creativity and lasting value in the pieces they compose. In truth, there is no other metal with such an illustrious history of design.

I’m writing this early in the morning, and am not thinking too much about wearing either silver or gold. But the latest song I have enjoyed playing and singing, is the Emmylou Harris song called “Gold” from her “All I Intended To Be” album. The chorus line “No matter how bright I glitter, baby – I could never be gold…” Makes sense to me!

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

Poverty Of Soul ~ Reasons To Avoid Made In China Labels

There are many reasons to avoid the Made in China labels. Not as a prejudice toward the people of China or their capacity to make product, because they make some of the most beautiful porcelain and silk embroidered textiles in the world. Vintage items made in Hong Kong are made by hand with attention to detail and can easily be distinguished from the cheap reproductions. It is the mass-produced made in China fast fashion and jewelry that is to be avoided. A high percentage of it is ending up in the landfills.

During the depression era in Canada, you would never know it now, but people were so poor they often did not have a single pair of shoes to wear. Clothing was patched repeatedly, to include mending underwear and darning socks. When an item of clothing fell apart, the spare fabric was used to make quilts. Women used rolled up rags or strips of folded newspaper to curl their hair.

When it came to food or fabric – stretching it was the first and most important consideration. Many prairie children from large families scrambled to get to the table quickly enough to get adequate portions of food. There was shame associated with poverty, so the mantra was always to “make do” with what you have. The stigmatization of wearing second hand clothing was the basis for mockery and insults. It is interesting to note that songs in the sixties and seventies contributed to the humiliation. Then came the hip-hop song in 2012 “Thrift Store” to counter some of those earlier pigeonholing attitudes. It didn’t hurt the newfound trendier second hand market to have gorgeous actresses and models don vintage dresses for celebrity events and awards. Poverty creates an endless cycle – yet beauty is timeless.

Today’s poverty is somewhat different. Instead of the sparse conditions of the past, we are now inundated with material things and rampant consumerism, but it is a vacuous abyss. For vast numbers of people losing motivation and overdosing in the midst of all this materialism, creates a chasm of grief emotionally, and again, in terms of the loss of human potential. We are steeped in the seductive appeal of accumulating wealth, yet more people are hungry, homeless or in severe emotional pain than ever before. It is testimony to the fact we have too much consumerism and not enough “soul”.

My pursuit to collect things other people don’t want – and to avoid things made in China, paradoxically came from experiencing poverty. Society seems to have a standard that dictates if we have nothing – we are nothing. It is easier to cease to exist and be blotted out or erased, if you are a proven non-entity. There is seldom a mention in the news of the world when a poverty-stricken or drug addled person dies and is simply – gone.

As much as we can refute materialism and consumerism, we will never get away from it because of the supply and demand chain. There are many reasons to avoid clothing made in China. Fast fashion items have a short shelf life, and some of it is not that cheap. You will often find that the seams unravel; the garment does not hang straight, and does not stand up to the test of time.

Clothing made in Canada on the other hand, is just the opposite. Canadians are known for making good quality product. Montreal deserves endless accolades for their creative contributions to Canada’s fashion and art scene. Toronto is also right up there as far as being appreciative and supportive of some of Canada’s great talent. We do sometimes have a tendency to be conservative and fuddy-duddy – but we fare quite well on the global vintage fashion scene, thanks to our eastern counterparts and their love of Canadian culture.

The problem with the upsurge of fast fashion and the rapid cycling of trendy but trashy clothing from China is that it contributes to impoverishing our own talents and ability to design and manufacture Canadian products. How can we have so many people losing value for their own lives and dying in the streets, while in the midst of plenty? It’s a true epidemic, and a mind-boggling one at that. Why do we need to go into a supermarket and see an entire wall full of different kinds of shampoo and conditioner? Do we really need three hundred different kinds of soap and product for our hair?

Yes I have amassed a huge collection and am the epitome of materialism. And the motivation is probably strongly associated with addiction and fear of poverty. But there is a satirical element interwoven into the collection. People have a tendency to seek what is new. Yet almost all new things are copies or adaptations of things from the past. The world of the newly made cannot compete with things from the past. Good product cannot be made in a rapid churn and burn cycle.

Canada, France, Italy, UK, Germany and the USA have a proven track record when it comes to making high quality, fashionable clothing and jewelry. The biggest difference between made in China versus North American and European clothing is that certain things are iconic, classic, and have lasting value – whereas there is nothing contemporary made in China worth saving. That should tell us all we need to know.

Success is a concept which was not even articulated until after the twelfth century. We spend our entire lifetime seeking something ill-defined and based on what? In truth – good food, a supportive and cohesive family, peace of mind, health, optimism, meaningful work, fresh air, mobility, quality of life – are all markers of success. Fame and fortune are actually very short lived, and create an illusion somewhat like a desert oasis. It is very appealing until you get there, and your hard won concept of success can go up in a puff of smoke. Even Elvis Presley ended up in a lonely and disenchanted place of addiction and loss of talent.

All art is an expression of emotion – depicting the extremes and experiences of our existential and inner condition. Whether art imitates life or life imitates art – one key point can be extrapolated in either case: life and art imitates and expresses emotion in every realm. Emotion is not to be discounted, trivialized, or contrived as being a disquieting hysteria coming from unstable females.

All throughout history different things have contributed to paradigm shifts, from religious oppression, to questioning dissonant conceptual frameworks. The cognitive and emotional factors can lead to mass awareness. Don’t let anyone convince you that being motivated by emotion is histrionic and illogical. We are all motivated by emotions. Thoughts are deeper than speech and emotions are deeper than thought. Therefore with some added logic, self-control and balance – our emotions can be the most powerful and driving force in our lives.

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

 

 

A Poem Called Flirting With Homo ~ Nyms

Flirting With Homo~Nyms 

If the needles on trees

Could sew up the breeze

And the date on the calendar

Might sweeten and please ~

If the legs on the table

Could walk away free —

Then grey doesn’t matter

If you are thinking of me.

 

If the hand on the clock

Runs out of time…

And the catch is a fluke

But meant to be mine.

If one stalk of celery

Should follow me home

And the peel of an onion

Cries when I’m gone…

 

If the crop bears fruit

Without loss of its sides,

And the train has a thought

That both of us ride –

If the pair has a shape

That won’t alter or divide ~

Then whatever the weather

We could bail it together.

 

If you bolt when I see you

I’ll pipe up in your dreams –

And the drift will hold true ~

Like a trunk full of steam. 

Valerie J. Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

A Poem Called ~ Night Nurse Nuance

Night Nurse Nuance

Dark earth spins –

Dawn rolls in,

Ever so slow —

Her haggard face,

Knows pallor & grey…

Within a quiet daze –

Droops her weary head,

& For a time she stays.

Responsibility weighs –

Work consumes her,

Yet time she takes,

When morning breaks…

To brighten up

Her weary face.

Her light comes on,

Work gets done.

Then ~ With poles reversed,

As sunlight bursts –

Gather up those…

Dead dog tired –

Weary bones

Unplug the phones

…& Go to bed.

Valerie J. Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Charting Coastal Ideas ~ About The Inside Passage Legendary Map

The Inside Passage Map is a soulful and romantic map integrating cartography, poetry, visual art, historical research, inspiration, nature and different cultures of people.

A unique portrayal of the west coast has been created. The goal was to create a beautiful collector’s map with a diverse range of information and ideas.

At the heart of the map is the desire to bring recognition and appreciation for the power and harmony within lyric poetry – by bringing it to you alive – as art.

Points of Interest

The Border – Intricate and full of detail, the design alternates between panoramic west coast scenery and flowers, with sea life weaved in between. The decorative cameos, which are centered in the border, contain ghosted flowers and verse. This tiny poem is referred to as the “rhyming riddle”. If you follow the rhyme of each line within each cameo, you will be able to figure out the correct order of the verse. It was originally written as a twelve-line poem. It captures the overall theme and design of the map.

The Legend Box – The legend box gives the title and the main poem, which together, create a parallel between both the outer and inner conditions that we face in our lives. The third line of the poem refers to tragedy and death (swallows sleep). Wind O’less means windowless and refers to the inner person. Inside of ourselves – unseen by other people, the waves of emotion, the cycles of despair, and contractions of grief are compared to the waves of the ocean in force and rhythm. The Inside Passage poem was born of this understanding. It is a sequel to grief-written poems called Lunar Tunes and Window Pain.

The Quiet-West Crest – The bottom center of the legend box is a crest designed to visually express the profile and goals of Quiet West Publishing. Firstly it contains a scrolled map to represent the historical BC coastal collector’s map concept. An open book contains reductions of actual stained glass windows with images of ladies wearing brimmed hats. Above the book a paintbrush and pen are crossed, combining the literary and visual arts. The rising sun represents the hope we have for each tomorrow.

Cartouches – The eagle, sighted frequently along the west coast is shown flying down to her nest and represents responsibilities to future generations. The bear, shown to the left of the legend box, is near Tatshenshini – Alsek Park. This region, which is home to countless species of wildlife, is one of the most important protected wilderness parks in the world. To the left of the compass rose, there is a scene depicting trade between the European and Haida people. The costumes, along with the illustration of the Haida settlement in the background are historically and culturally representative. The Nuu-chal-nuth people are featured in the whaling expedition scene. This dramatic cartouche was placed in close proximity to Quatsino Sound, the historical whaling harbor on northern Vancouver Island. The face in the wind represents the stormy and treacherous conditions on western Vancouver Island and the Olympic Peninsula. Cherubs hover over the globe to show the location of the Inside Passage and to represent a stylistic feature commonly used on seventeenth century maps.

The Compass Rose – The interesting and elaborate compass rose design was created by placing a borrowed seventeenth century brooch on a hand-made European lace doily. The brooch was brought to Canada by Scandinavian war bride Elinor Thun. She wrote the description as follows: “This particular brooch is more than eight hundred years old, and came from a western fjord in Norway at Siem, near Bergen from the maternal side of my family. It is known in Norwegian as “solje or kappe-brosje”. Brooches of these types were used by men and women to hold their capes in place. Jewelry of the day was worn as an expression of wealth, and would sometimes be given as gifts from one king to another. The Vikings were great travellers and the designs show an eastern flair which would eventually weave itself into the culture of the Norse-lands.” Elinor Thun Ueland 1994.

Cartography – The map was created by using an extensive amount of historical reference material, by translating poems into images – and by merging art with technology. Land contours and shoreline details were carefully blended to create emphasis and depth. Mossy greens, white mountain peaks, rich earth tones, hand lettered names, and locations of notable shipwrecks bring harmony and intrigue into the map.

Whether your interests are philosophical or artistic, this map demonstrates originality and lasting value. It is a truly great work – to honour one of the most beautiful places in the world.

Measures 24″ x 36″.

Created and Published in 1993 by Quiet West Publishing & Marketing.

Purchase on this website for $40.00 each + Shipping. It can be found under Categories – Accessories Art Objects. Two for $35.00 each. For wholesale prices contact Valerie at quietwest@yahoo.com.

https://www.quietwest.com/shop/accessories/inside-passage-legendary-map-24-x-36-detailed-west-coast-collectors-map/

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

The Art Of Delivery ~ Mapping A Voyage From Birth Into The Wild Blue Yonder…

Although I worked as a Registered Nurse for many years, I was always trying to get out of it because it was not my forte in the first place. I was just sixteen when I graduated from high school. There were aspects of working as an RN that I did enjoy. But it was the old-fashioned hierarchy, the baggage associated with how I got into it, the system itself, and the career limitations I found to be demotivating, stifling and restrictive. I felt trapped in a cage.

The direct patient care and advocacy was the most rewarding part. Up until the early nineties, it was not a well-paid profession. The only reason for the decades of low pay, is the fact it is a female dominated profession. The work itself can be taxing – mentally, physically and emotionally. The stressors are compounded for single mothers who work as nurses because of the long hours, shift work, fatigue, and difficulty with child care.

For about ten years I worked in a very busy labor and delivery unit. In addition to caring for women throughout their labor and delivery, we had to clean the rooms after each delivery, rinse all the linen, soak, wash, and autoclave all the instruments and repack the delivery bundles. The janitors would not wash the floors unless they had been cleaned by the nurses first. We had to move furniture all over the ward non-stop, in order to make room for the next patients. It was a constant game of musical beds – without the music. They have made improvements to the labor and delivery units over time, but aspects of it were still quite archaic back then.

We could not ignore the task of charting every fifteen minute heart rate and blood pressure checks, as well as getting a mound of paperwork done after each delivery. The legal documentation was the only thing that mattered if anything went awry. You could not afford to get your priorities mixed up when it was busy, or it could be catastrophic. For example – people have a tendency to bleed (especially red heads – believe it or not), and sometimes they bleed profusely. In maternity – they can bleed out in a matter of minutes.

There is no room for error when it comes to the need for early detection of fetal distress and postpartum bleeds (and premature labour). Due to the unpredictable and often precipitate nature of labour and delivery, I estimate having delivered around two hundred babies over the years. In some cases, unknown to the general public – the delivery room can be as hair raising as anything you can imagine. It is difficult to overcome the fear of having to handle, let alone resuscitate – a two pound baby.

Following the years in labor and delivery, I did stints in community mental health, long term care (to include psycho-geriatrics), emergency, some medical-surgical, and often as a hospital-wide float. From newborn to ninety – there are some poignant realizations stemming from the nursing experiences. Being witness to so many people coming into this world, as well as caring for those who are leaving it, has a lasting impact. The astounding thing to me – is how unique each individual is, in every conceivable way.

Not one of us has exactly the same experiences – from how we come into this world, to how we make our final exit. Getting hung up at the “spines” as they call it in the labor room – is when the baby’s head cannot get past the small bony prominences in the pelvis. Something as simple as the presentation of the head can lead to a cord around the neck, a cord prolapse, a failure to progress in labor, an emergency cesarean section, and in some cases, injury to the brain.

We have no guarantees in life – from conception, until the time is ripe for the forces of nature to plunge us into that first uncharted trip through the bony pelvis. That’s just to get us here, for our personalized and idiosyncratic journey. Along the way choices can be limited, or completely taken away from us. In reality – it’s all somewhat of a crap shoot.

Who can say what kinds of things will happen to any of us? But throughout slogging out the twelve hour night shifts and trying to think of a different way to make a living, I tried giving birth to many ideas as well. From the time I was a student nurse, I shopped in thrift stores, and found it way more interesting than any other kind of shopping. I soon became hooked on collecting vintage clothing.

To justify the addiction – I started to view vintage and designer items as being like penny stock investments. There was a reasonable expectation in my mind that if taken care of, they would increase in value over time. The idea of having tangible products appealed to the poet in me, as I do sometimes have my head in the clouds. Thoughts and ideas (and stock market investments) can go up in vapour, whereas palpable things stay put.

The oldest, and some of the most exquisite dresses in the collection are still in storage. Since I started collecting, I wanted to prove that the material landscape of the dispossessed (or throwaways) is of greater interest and value than new things that are mass produced and bought at the mall. Vintage hats and antique lace really inspired me for some reason.

The same thing applies to the internal landscape of the dispossessed. If adversity does not destroy or make us bitter – it will gift us with autonomy, courage, and artistic expressions to share with the outside world. We may need to go to battle with our past – in order to salvage our own souls, as we traverse our peerless internal landscape. Entelechy is the survival of potential.

For a few years I left nursing and worked with a PhD research scientist who had an incredible academic record, twenty-two years of post-secondary education. His PhD was in linguistics with other degrees in math and computer science. We published maps and did special applications contracts using advanced remote sensing technology. We also published a Cities From Space Series using the Landsat satellite data. We sold a couple hundred thousand satellite image maps during that time frame. This was in the late eighties, before satellite imagery was available to the public on the Internet. Advanced remote sensing technology was still in its infancy, but for a micro-enterprise of just two people, we did publish and expand on different uses for the remote sensing technology and digital image processing.

After a couple years of publishing satellite imagery, getting more creative with the mapping elements really started to appeal to me. I started buying old atlases and maps from thrift stores to study the early artistic collector’s maps. I went to trade shows with the maps and saw all of the other creative arts projects that were on display at the shows. Along with the maps and Cities From Space series we published place mats, fridge magnets, and huge wall murals for fire control rooms, real estate, Geological Survey Canada, and many others.

What I learned is that good product is very time-consuming to make. Once it is made – it still has to be marketed. I started my own company, Quiet West Publishing & Marketing and began working on a mosaic and map to cover the entire BC coastline with multiple artistic elements. This was a visionary overlay,  with the additional dimensions of true ground and shoreline features. The creation of the Inside Passage Legendary Map came from the exposure I had to satellite image mapping technology – combined with the poetry and art. I saw this as being the ultimate blend of ideas.

BC has thousands of micro-entrepreneurs and artists. They are highly concentrated on the Islands, in and around Nelson, among the Aboriginal people, and basically all over BC. The gift show typically featured a BC Creative Arts section. Hand made jewelry, pottery, artwork, and wood items are the most predominant. But the sky is the limit – and the birdhouses are so cute!

For the most part – the creative arts is about doing a labor of love. There are certain parallels and analogies surrounding the birth of an idea – and how they can take on a life of their own. Labor is central to our lives in more ways than one.

The basis of an entrepreneur’s optimism and repeated efforts – in spite of the odds and the risk she faces, is aptly reflected in a quote credited to Napoleon Hill: “More gold has been mined from the thoughts of men than has been taken from the earth.”

And to that quote – we can take the liberty to add women, right there beside the men. Why? Because the poverty faced by women, also affects the children women give birth to.

In addition, being robbed of our potential is worse than a protracted labor pain. It is one long and extended contraction, until the adversity gives birth to change. We do not deserve the pain and struggle of poverty and hard work without reward, or sufficient support systems. The children who happen to be born into that cycle do not deserve to be dehumanized either. It only creates confusion and withdrawal surrounding thinkable outcomes.

It is time to start mapping it out – and change the archetype.

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

A Poem ~ How I Change

How I Change

I change

Behind a curtained blind,

Where some of me 

Gets left behind ~

& Some of me…

I find.

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

If Sown As A Plant ~ What Would I Be?

If sown as a plant ~

A thistle I’d be –

Or the barb on the stem,

Of the prickly rose tree.

I would needle and defend,

With the tip of each end –

& No one would know it was me!

With flowers for friends ~

Only artists can paint,

A picture with words –

& Give them some space.

Yet the thorn on the plant, 

Will never get praise –

Whatever its’ stance.

O’press a spiny weed

 & The task to ask ~

Is ~ Who spikes

 The pointed seeds?

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Ivory & Certain Types Of Fur Are Basically Banned From All Markets

For a long time, antique and vintage ivory and furs were in a different category from the new ones. It was generally considered okay and ethical to buy and sell these items if they were classified vintage or antique. I have never had much attraction to buying vintage fur, with the exception of some mink hats and headbands, and a few items with genuine fur collars. The list of banished furs includes fur from all big cats, all primate fur, and all types of bear fur. Sealskin products cannot be exported to the USA, European Union, Mexico, or Taiwan. Canada is one of the few countries that permits the sale of sealskin items.

Ivory has become a taboo product due to the poaching, endangered elephants, and the skill artisans have to make it look antique. Although it is not illegal to own inherited or antique ivory, it can no longer be exported or sold. Some of these laws are fairly recent and expanding to include other countries. The only way to identify the age of the ivory is through carbon dating. Recently an antique dealer in Toronto was fined and charged for having carved elephant tusks for sale. As it turned out, they were able to identify the age of the tusks, which placed them in the seventies when poaching was a real problem.

Over the years, I have picked up some ivory necklaces and bracelets but cannot be sure how old the pieces are. It seems the best thing is to donate them to a museum or educational institute. Different types of ivory can be identified by the pattern of the schreger lines. The location the ivory came from can also be identified because they can determine the diets of the elephants by the tusks.

One of the many sad things about the poaching, is that of all the elephants that die naturally, the ivory cannot be used because of the illegal activity associated with it. It’s too bad the elephants were not protected from poachers in the first place. There should have been a method of making sure all tusks were matched to the death of the elephant. The product made from the tusks of elephants that died naturally should have been hallmarked as such. It would be a good idea to have a method of marking during the creation of the piece, similar to what they did to help people avoid buying blood diamonds. Ivory is very beautiful, especially since it has often been combined with some of the most exquisite carving known to man.

As far as the example set in Kenya where tons of confiscated ivory was burned – on principle, I disagree with the destruction of artifacts. However, the issues surrounding the endangerment of these beautiful and intelligent creatures, the horrors of poaching, and the difficulty in accurately dating the ivory – makes the bans understandable.

There can be some confusion in terminology surrounding vegetable ivory and what is referred to as “French ivory”. Vegetable ivory is from tagua nuts and can be carved, decorated or dyed. French ivory is a type of celluloid or plastic that looks like ivory. French ivory and vegetable ivory have nothing to do with elephants or endangered species.

Now it’s time to see if any of the feathers on the hats are from endangered birds! I do have one hat with a real bird on it. It is a black hat embellished at the front with a small blackbird – dating it prior to the 1909 ban on such practices. The moral of this story is an anthropomorphic oxymoron. From an animal’s perspective – humans do some very strange things!

A few ivory sample pieces from the Quiet West collection:

Carved Ivory Necklace Featuring A Large Scarab

Carved Ivory From Hawaii

Antique Necklace Featuring Carved ivory Beads

Antique Carved Elephants From Africa 1920’s or 1930’s

Antique Asian Carved Small Bottle

Maker’s Marks

Example Of French Ivory Or Celluloid Antique Ring Box

Copyright Valerie J. Hayes and Quiet West Vintage (2018). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

 

 

Where Do Women Stand In Small Business Ownership ~ When It Comes To Canada’s High Potential For Growth In E-commerce?

According to the Federal government SME research and statistics (2012-2016)  Canadians are among the most wired in the world with Internet access available to 87% of the population. Some of the northern and rural areas do not have the same service as the urban areas do. Within Canada, BC and Alberta are the biggest users (according to 2012 stats).

As far as small to medium businesses in Canada, more than half are located in Ontario and Quebec. The average number of people owning SME’s is 45.2 per 1000 population nationwide. Western Canada has consistently demonstrated a robust growth in small business development. The majority of small businesses (78%) offer services. The highest percentage of small business is made up of micro-entrepreneurs consisting of businesses with one to four employees.

Small businesses have a revolving door element. Out of 13,820 start-ups, there were 12,590 deaths. A high percentage of those are in the professional, scientific and technical service sectors. BC and Alberta combined, contribute more than the national average in SME according to GDP measurements.

How do women fare in the participation surrounding business ownership? Unfortunately, we do not fare that well. According to stats from 2014 – small businesses with the majority of male ownership was 64.7% while the majority of female owned businesses was 15.7% The female owned businesses tend to be concentrated in the service sector, mostly in information, administration, aesthetician services, decorating, daycare, health care and recreation. Outside of these service areas, the business ownership by women drops to around 8%

The average educational levels for SME owners is a Bachelors or Masters degree for 30-60% of them. This comes as no surprise since Canada already has a high percentage of tertiary level education among its population. Since women tend to be more cautious when it comes to business, we are also inclined to do more research. The reality of it is that only 4.5% of the population establishes a successful small business. It doesn’t take much math comprehension to see what a minuscule representation women have in the bigger picture. But women do tend to be strong in semantics at a time when there is value in being able to write semantic HTML. Many women also have a good eye when it comes to colours, layout and design.

What are the barriers for women in business? It cannot be denied there are many barriers, when there is such a dramatic gender difference in business ownership. Whatever the reasons, women do face an uphill battle. The most obvious barrier and lack of support pertains to financing. But the gender barriers are far more complex, longstanding – and much more deep-rooted than money alone. They surround us. Maybe even engulf us, in the amount of disdain we have to endure.

E-commerce provides an opportunity for female owned micro-enterprises to gain some ground in developing and owning businesses. Ten years ago, a website could not be developed without learning how to write code. Five years ago you had to take hours and hours of computer instruction just to be able put a blog and online store together on the same website. And if not done correctly from a technical perspective – it would slow your site to less than a crawl.

Another valuable tip for E-commerce start-ups is to ignore all advice (advertising and hype) telling you it is possible to set up an online store in minutes. No such concept (of instant gratification or results) exists when it comes to building something with lasting value. Businesses do not get built in minutes. You need to have a long-term commitment to task, combined with some clear day to day directives. I set mini mottos and foundational criteria in my head for almost everything. Otherwise I get sidetracked.

Before they started doing automatic file compressions and cloud computing, you would be charged bandwidth on images. In some cases, they took your credit card number and titrated it according to some non-identifiable bandwidth usage. It was very limiting in the number of pictures you could upload, as well as in trying to estimate what the bandwidth would cost overall. Plus every single image had to have several captions, alt tags etc. which made it tedious and prohibitive if your site relies on showing multiple images on thousands of products. Now you can upload as many pictures as you want to. The one thing to note is that once uploaded, they are lossy images and cannot be photo edited. In looking back at some of the bad pictures I took, I thought maybe I could use a photo editing plug in to make improvements. But the photo editing has to be done before uploading – due to the loss of resolution in the compressions.

Web developer costs range between 65-100 dollars an hour. Don’t be taken in by the cheap outsourcing costs you read about. For 35-50 dollars an hour you get a language barrier, which is not conducive to developing anything. You have to learn how to do things on your website without hiring a web developer. There are too many changes and tweaks to make, never mind allowing someone you don’t know onto the admin panel of your site. There is nothing worse than a bunch of cluttered up code. It can break your site. Whoever made up the slogan “Code is Poetry” must have different neuronal pathways than I do!

Just a few years ago you could not set up payment gateways without going through rigorous and complex settings that required you to store all credit card data on your site. It put a huge burden of responsibility on the web developer or business owner because of the threat of hacking and phishing. In an effort to overcome that hurdle, they set it up so when the customer paid they were re-directed to the secure payment gateway. But it was only a partial solution as it had the disadvantage of taking the person away from your website at the critical point of conversion, and disrupted the continuity of your branding.

The technical advances now are such that the purchase goes to the secure payment gateway using screen shots so that it gives the impression of staying on the site while the payment is being made. This means the website does not need to store any credit card data or a customer’s personal banking information on the site. In addition, the newer platforms are connected to QuickBooks. All of the parameters surrounding taxation, shipping etc. can be entered and tracked on one site. As they streamline these attributes, they improve them. For instance, they recently added a feature to enable an E-commerce business to give partial refunds. Such features permit compromises to be made between the business and customer, without losing customer satisfaction or losing the sale.

As a micro-enterprise, I have not launched the online store yet. But, as I have been doing the research and photography – working quietly on getting product listed, I have also noticed that advances in technology have already passed many of the concerns I had. Once the store is launched and up and running – I hope to be able to encourage other women to look toward E-commerce as something that can be achieved, without facing such astronomical hurdles. After all – we have a lot of catching up to do!

Can Dresses Be Compared To Musical Notes? There is Comfort in DGAC – But Try On An F#m!

Yesterday, I wanted to learn the song “Sweet Old World” by Emmylou Harris. According to the guitar chords and lyrics in chordie.com, the song is marked as difficult to play. I transposed it to -4 semitones to find a somewhat familiar chord sequence. In that combination most of the song is in D Em and A, which is great.

There is one F#m to go with the lyrics “cradled in your arm” and “together with another one” – just a few words, twice in the whole song. But you simply cannot dance around them, or skip over them. I never play an F chord. You have to be a contortionist within limited fretting space (like a real guitar player). Now I might be motivated to figure it out, just so I can play the song. Never having taken a music lesson means you can avoid anything you want. The lyrics and the songs are the driving force. They stay alive forever. I know there is a cliche “it’s the singer not the song” but I think they got that one backwards.

I started thinking about musical notes and what they convey. How many other things are comparable (especially dresses). The notes trigger emotional responses and have a predictable harmony. As I think about what dress style goes with an F#m – I envision it would be light and wispy, very noticeable but at the same time, diaphanous and ethereal.

The personality of the F#m is mysterious. She is made of silk chiffon, fluid in movement, and neutral in tones. There is a subtle nuance to the way she flows, from a comfort zone, shifting seamlessly into an artistic resplendance. The melody is in her movement, for the undulations of rhythm, is flowing right through her.

Not everyone can wear her, because it is not easy to emulate her style. You must be limber and coordinated, to learn how deftly and quickly she changes. The embodiment of an F#m is for a special time and place – in life as it is in a song. With unwavering confidence, she slips through the crowds effortlessly. Her memory is sweet. She is like the scent of hyacinths wafting by, as fleeting and elusive as a leaf in the breeze.

It is the range of little things, the small and unexpected notes, that brings beauty to our days. Check back. As soon as I find an F#m dress – I will post it here!

Once defined – it didn’t take too long to find one. This gorgeous silk dress fits the description for an F#m. The fabric is a muted blend of gossamer-thin patchwork patterns. A jacquard coloured silk with ribbon-like accents and gold metallic threads running horizontally across the fabric (like guitar strings of the imagination)!

Meanwhile – I’m going back to playing and singing “Silver Threads & Golden Needles” in good old DAE. If a song can bridge the difference in style between Janis Joplin and Emmylou Harris – there must be a key to the room for the rest of us!

Without a belt it has a 1920’s drop waist silhouette

A melodious blend of colours…

Shown with a narrow gold tone & pave crystal snake belt. Exotic!

Gossamer silk with gold metallic thread shown in morning window light.

Copyright Valerie J. Hayes and Quiet West Vintage (2017). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Thankful For Old Friends

 

Thankful For Old Friends

Old friends who are growing frail and tired –

If we are wise, we will esteem them higher.

For experience and wisdom knows no bounds –

And among old friends is abundantly found.

 

Treasures have often been tossed away,

Because they don’t fit with the present day.

Now we see the value in many old things –

Like artifacts, gems, antiques and rings.

 

But we race around in these busy times,

Chasing the elusive ~ the ladders we climb.

While our older helpmates quietly sit –

Patiently waiting – hoping for a visit.

 

If we forget about them, what a tragic mistake,

Old friends are precious for everyone’s sake.

A nation’s history and culture take stock…

Lest she become lost – amidst the tick of the clock.

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2017). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

For Reflection

 

For Reflection

Foliage responds when nature talks

But weakest is the central stalk –

Wavering wildly ~ “The Thinking Reed”

Subjects nature to its greed.

 

Brambles & briars – bushes & thorns –

Gouge the flesh of pride and scorn.

They weave together close to the ground –

Whispers among them make no sound.

 

Flowers rejoice – lift faces to the sun,

Pulse out energy – bursts joy from each one.

Trees in the forest make great requests ~

Call for the clouds & their needs are confessed.

 

Harmony is balance – hearing each other,

In hundreds of years – this we discover,

That frail and feeble is our tact –

& Rapid change to what we know as fact.

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2017). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Thinking Outside Of The Box ~ Paying Homage To Canada’s Lucrative Second Hand Markets

Pair of Carved Stone White Howling Wolves

 

Wood Carving With Teeth Of Bone

The second hand market in Canada is flourishing with the buying, selling and swapping of a wide range of interesting products. It has given rise to some near maniacal television shows like a modern day gold rush with lots of buzz and excitement. Thanks to the Internet – no one has to go panning for the valuables in creeks, cross uncharted mountain ranges, or even risk their lives. According to Kijiji alone, Canadians bought sold or swapped used products to the tune of 1.9 billion dollars in 2016. It’s interesting to note that British Columbians buy four times the national average in second hand goods.

Thrift stores are magnets for serious collectors. It has only been since the nineties that thrift store shopping has been trending upward. The stigmatization of buying second hand began to vanish and soon after became trendy. The idea of collecting a product line in the second hand market makes so much sense. Everything from old Levis, to antique glass and porcelain, limited edition and original art, concert band T-shirts, motorcycle memorabilia, and my favourite – vintage clothing and textiles, has gone up exponentially. The value of certain things has increased as online selling has become easier to get into. Along the same lines as the theory of like aggregates, like items are more easily accessed and compared by interested consumers. The more unique, artistic, rare, made by famous designers, in demand or outlandishly quirky – the more likely it will increase in value.

I find it very intriguing when I come across other collectors and gradually begin to notice what they collect. In one case, it was a tennis player who knew the pricing and quality of tennis rackets. He would select certain brands for five bucks or so, have them restrung and then resell them for several hundred dollars each. Another man was buying 35mm camera lenses and combining components of them to rebuild lenses with uniquely exaggerated fish eye or bokeh capabilities.

For several years there was a man with a thick Russian accent looking for and buying cashmere. He accumulated an entire roomful of sweaters. Apparently no one was sure what he intended to do with them. After he died, I learned through the rumor mill that he had planned to send them back to where he was born in Russia. He had grown up impoverished and it was “always so cold”. It’s really too bad the cashmere didn’t get packed up and sent to his hometown.

The second hand market is filled with eclectic hobbyists and hidden professionals. Most of us have no clue what motivates another person to collect what they collect. The more knowledge the person has about the specific items, the more he/she will spot authentic items with value. Glass is a good example. It ranges from hand painted moriage in Japanese porcelain to the incredible spectrum of murano glass from Italy.

The differentiation between hoarders and collectors is easy to make. Hoarders have a diminished capacity to make selections. Therefore they do not collect based on knowledge and a larger vision, but rather on fear of throwing things away because they might need or want them some day. Hoarders tend to be disorganized and non-sensical in what they stockpile and do not like to get rid of things.

Collectors on the other hand are always culling and getting rid of mistakes because that’s how we learn. It is also how a collection is refined and built to higher standards. In addition for collectors, the collection becomes increasingly organized. Whereas with hoarders it is the exact opposite and everything piles up uncontrollably. The collector is motivated to a large degree by curiosity and learning. The collection itself has a systems component.

In my opinion there is no other place but the second hand market to find high quality items and products for resale, at a fraction of the cost. You could not buy the buttons for a designer jacket for what it costs to buy one in a second hand store. And then you would still have to sit and sew them all onto the jacket.

Canada’s high standard and good reputation in the online second hand market can be credited to Montreal and Toronto. Montreal mid-century designers are now being recognized in the upscale International vintage clothing markets. Canada has turned out some world-renowned luxury brand names such as Claire Haddad, Wayne Clark, Bill Tice, Gustave Sherman, Patricia Fieldwalker, Val Hughes and Madame Runge as some examples. Next to Italy, France, and the US – we can hold our own quite well in comparison to most other countries.

There are countless good reasons to promote the Canadian second hand market. We are an affluent country with much history and culture – due to the diversity and widespread travel. We have a great selection and clean well organized second hand stores. I skim through roughly 30,000 new items per week. Of that I might select six to ten items on average.

With everything from obscure coins, antique glass and art – to old typewriters and some very unique hand made musical instruments with wooden tuners, we have enough abundance in our second hand stores to contribute to E-Commerce, education, niche markets, hobbyists and recycling. The identification of unique product lines and global trends – is continually increasing the scope and opportunities within the second hand markets. It also creates an eclectic exhibit of our diverse Canadian culture and heritage.

Taxco Mexican Sterling Silver

Leaded Glass Crystal 1950s Germany

Antique Claret Jug Or Decanter For French Bordeaux Wines

Porcelain Bust Made In Germany

A Tribute To Beethoven

Antique Asian Symbolic Figures

Hand Painted Dresser Jar 1940’s Japan

Antique Carved Bamboo Three Dimensional Images

Mid-Century Porcelain Fish Teapot Made In Japan

Antique Wooden Child’s Toy

Cloisonne Owls

Carved & Signed Figural Animal Head

Alligator Covered Box With Artwork On Lid

Antique Asian Wooden Cigarette Box

Antique Carved Wooden Serving Dish Haida Gwaii

Carved Stone Owl On Peach Coloured Quartz

Antique Wooden Hens

Copyright Valerie J. Hayes and Quiet West Vintage (2017). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

The Inside Passage Legendary Map Theme Poem ~ About Grief & Hope

 

Music reaches the wandering herd,

Timeless tunes of twittering birds ~

Fallen and fractured – Swallows sleep

Wind O’less waves churn dark and deep.

Feathers find warmth – Still silence hopes

Sunlight shimmers upon scattered notes ~

Through all history one promise remains —

Birds sing a new song ~

After it rains.

Valerie Hayes

 

Sky So Blue

Like me – The sky is so blue ~

Then the setting sun – With a purplish hue;

Bruises & bleeds – Clear across the skies ~

‘Til absorbed by the darkness – & Shadows our lives…

Valerie Hayes

1992

Copyright Valerie J. Hayes and Quiet West Vintage (2017). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

A Poem Finding Flowers ~ With A Festoon Of Flowers In Bloom

 

Finding Flowers

When I was a child ~ I mistakenly thought…

A weed was a flower ~ Until I was taught —

Then I grew up & found out wrong;

Some weeds are flowers ~

Grown wild and strong.

Valerie Hayes

 

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Copyright Valerie J. Hayes and Quiet West Vintage (2016). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

To Harbor A Contrasting View ~ Same Scene In A Different Mood

Wide Angled Overcast Harborview

Overcast Harbor Village of Queen Charlotte

Harbour View

Clear Harbor Village of Queen Charlotte

Copyright Valerie J. Hayes and Quiet West Vintage (2016). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

A Poem ~ The Thaw Of Spirit Lake & The Face Of The Trail

My favorite trail on Haida Gwaii is Spirit Lake Trail, and is located in Skidegate. True to its name, it is a dreamy, undulating and inspirational loop through the trees, around the wilderness shoreline of a beautiful lake. There is a sense of privacy and privilege, in feeling so fully integrated with the forest. Big eagles perch on dead and broken trees jutting out of the lake, just feet from the trail. Moss and mist drape over sections, and then suddenly there is a brilliant contrast of azure blue. For just a few weeks in the winter, majestic white swans will often migrate through and spend some time (gliding by), adding to the picturesque beauty of the trail and lake. They make a variety of strange sounds, like grunting and hissing. Apparently they mate for life, through mutual bill dipping and head to head posturing. The males are called cobs. The females are pens, and the young are cygnets.

During the time I lived on Haida Gwaii, I walked it nearly every day, and will always remember it as a highlight of living in such a beautiful place. Each time I trekked around it – it was different, with some new and delightful lighting, or an unexpected scene around the next bend. Occasionally, there were huge black bears near the trail, with thick, luxurious coats that added to their size. Haida Gwaii is home to the largest black bear in the world. They were in my yard more often than I saw them on the trail. They were never aggressive, and for the most part, remained shy and aloof – demonstrating they can run shockingly fast.

Curiously, although there have been black bear and grizzly bear maulings throughout the rest of the British Columbian wilderness, there has never been a serious bear mauling on Haida Gwaii. There is no documentation, memories among those who grew up there, or even in Haida Gwaii storytelling and folklore – that describes a bear attack on Haida Gwaii. The main “bears becoming an issue” is about a resident (many years ago) who was feeding, attracting and habituating bears to be his friends and companions. He lived with his mother who was frail and elderly. In addition, they lived right on main street where children had to pass by on their way to school, so it was a problem. The imbalanced resident and bear lover, when under pressure to stop it – ended up shooting the bears and then himself.

The climate on Haida Gwaii is similar to Vancouver, with most winter storms being more wind and rain, as opposed to snow and ice. The poem called The Thaw of Spirit Lake was written during a period of time in the winter when the lake was frozen.

Later in the spring on another walk, I stopped and snapped a picture of the face in the trail, without even fully realizing it, until I saw what looked sort of like a porcelain dolls head in the thumbnails of the photos. The camera I was carrying at the time, was just a small, very old 4 mega pixel point and shoot. When I saw the picture of the face, I was surprised to see I got the whole face in the picture. The face in Spirit Lake Trail goes with the poem. I felt awed and delighted to be out there enough to capture them both!

The Thaw of Spirit Lake

The lake is like milk – To nourish the tenseness

Like the soft rush of silk – Slides over the senses

And threatens to thaw our daily defenses.

While frozen reflections

Skim past expressions.

For what lies beneath, no one can see ~

Cannot be dredged or warmed a degree…

Until winter releases & shows the first cracks,

On a face that it teases ~

Until spring makes it laugh.

Valerie J. Hayes

snap shot of a face in Spirit Lake Trail

The Face in Spirit Lake Trail In Skidegate on Haida Gwaii

Copyright Valerie J. Hayes and Quiet West Vintage (2016). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

The Hourglass ~ Fashion Is Figurative

The Hourglass

The Hourglass Figure ~

So hotly admired;

 The “Our” need-les through –

The heart of desire,

Holds all that she dreams…

As thread from her gown,

Came apart at the seams –

She could not have known;

What she needed to mend,

‘Til she went back again –

In her search for the end ~

& The good she could find.

It was then she was shown —

How the darkest of skies –

Has put stars in her eyes ~

As she rides in that chariot,

Called the “Passage of Time”.

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2015). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Poet-Pourri ~ Words Like Petals Form a Poem ~ To Become The Rhyming Riddle On The Map

This Inside Passage Legendary Map poem was written as a “rhyming riddle” to enhance the lyric voice on the map. It is placed in two line segments in the cameos around the border of the Inside Passage Legendary Map. One of the extra detailed features of the map – is to be able to figure out the order of the verse in the border of the map.

Poet-Pourri

Words like petals – Form a poem;
Flower blooms – Then bows her head.

Sheds thoughts upon the ground ~
Moss – Prepared – Has made a bed

Poetic petals flutter down.
Depart from proud, stately stems

‘Til Nature has them land
Bathed in dew – Just humble gems.

Nature inspires deep respect,
Sweet pot-pourri recants…

Woods are made fresher yet ~
For the poet-pourri – Enchants.

Valerie J. Hayes

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Copyright Valerie J. Hayes and Quiet West Vintage (2015). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Projecting Image, Fashion ~ And Embodied Cognition

Happy New Year to all, with much gratitude toward loved ones. I always feel a sense of relief when we get into January, mostly for the longer days and anticipation of warmer weather.

Some of the most fascinating research is being done in the field of embodied cognition. It is still in the early stages of study and somewhat vague in definition, but nonetheless it represents a leap of understanding in cognitive science. My interpretation of what it means, is that instead of our brains being locked away inside our heads with only our unique perceptions and mental representations to stimulate behavior and solve problems – we actually have cognitive resources that are distributed across our brains, our physical bodies – and our environment.

One of the essential meanings of embodied cognition is that states of the body modify states of the mind. So far, the only real study I have been able to find on clothing and embodied cognition is one involving a white lab coat and the perceptions it creates. That study alone, indicates that what we wear creates a significant impression with regards to the way we feel, as well as to how others perceive us.

With advanced and increasing knowledge about the brain, psychologists and philosophers have delved more and more into the field of embodied cognition and question how words, objects and events are perceived or made meaningful to us. The research so far demonstrates that language comprehension depends on emotion, perception and metaphor. This becomes the primary motivator of our behavior. It is the motivation and resulting coordinated action that links us to other people. The most compelling aspect of the linguistic component, is the extensive use of metaphor. Every conceptual metaphor from a “couch potato” to looking and feeling like a “million bucks” or saying it “fits like a glove”  to a “wolf in sheep’s clothing” provide us with examples of metaphors that describe concepts, some of which are highly complex and abstract.

What the increasing awareness and knowledge regarding embodied cognition brings to the fashion industry, is that if our physical bodies share in our cognitive processing, perception and interactions – then the way we dress and care for our physical bodies is far more important than mere vanity or practicality. It is an outward representation of at least some of the elements of cognition. The notion of intellectualizing fashion is not based on whim or fancy, but on a much wider and more holistic framework than has been previously acknowledged.

Just as the medical world began to recognize the need to treat the whole person (body) in the seventies, we now have that holistic element extending to our brain, mind, body, outward appearance, emotions, perceptions – and the environment. This means that if we are able to “pull it together” – it could be what brings us closer to self-actualization and the authentic self – which is the opposite of narcissism and mere vanity.

The food for thought that I leave with you for the New Year – is that all of our potential is wrapped up in embodied cognition – to enigmatically include many facets of existence that are outside and well beyond our concept of self.

Copyright Valerie J. Hayes and Quiet West Vintage (2015). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

A Poem Called Fallen Nature

 

Fallen Nature

Calm and quiet as a devoted monk,

Bows strong and steady from his trunk.

For a century or more he stood –

And cast strange shadows in the woods.

 

Age and loyalty – Twist and hide,

Invaluable rings he wore inside.

Arthritis creeped into every fold –

Kind moss cloaked him from the cold.

 

Pray for fruit on each gnarled limb

Until the dawn of day deluded him.

He goes unnoticed…

Its been so long

That when he’s gone

Sad mist surrounds ~

Drips dew drops down…

On the tombstone stump –

Deep in the ground.

Valerie Hayes

 

Copyright Valerie J. Hayes and Quiet West Vintage (2014). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

 

Fashion Metaphor ~ A Poem Called Silk & Ruin

Silk & Ruin

Silk & Ruin 

Runs so Fast ~

Always Cruisin’

Snags the Past —

Goes Unnoticed

By the Masses…

As Fine Conjecture

Slips About ~

And in Reverse —

It Wears me Out!

Valerie Hayes

Copyright Valerie J. Hayes and Quiet West Vintage (2014). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Tacky Trends & Tight Tautologies

The word tautology has a nice ambiguous ring to it. It originated with the ancient Greeks who soon saw it as the mere repetition of words to support an argument. The logic behind it, a concept which later cropped up in propositional mathematics – is that if you reword and say the same thing over and over, each statement will fill the contingent of logic, support the argument and make it true. There is a formula.

In the forties and fifties Rudolf Flesch contributed to the recognition of tautologies in the written word. He wrote titles like “The Art of Clear Thinking” with a chapter title “How Not To Be Bamboozled”. He also wrote “The Art of Plain Talk”. Gotta love this guy!

But isn’t repetition with a few variables thrown in, the only way to reinforce something? Tautologies are getting tighter. It is the contraction of the sheer volume that must now be sifted. The information age is causing them to shrink – like wool in a hot washer. If you take out all superfluous words and repetitions – it strips the wordy embellishments to reveal the core. Padded writing is sort of like a glitzy, tacky overdone outfit.

Now, we have SEO’s and key words. We have a skeleton of tautologies in every realm. We just have to remember – that repetition – doesn’t necessarily mean that something is true or authentic. Authenticity has a solid ring to it. It holds onto some class. Maybe stripping away all superfluous and repetitious words brings us closer to poetry…since poetry says as much as possible with as few words as can be gotten away with. Therefore the core concept often has an elemental truth.

It might be on the horizon to drum up SEO’s out of a poem or a song…and like birds in the forest – the white noise is lost, leaving only the voice.

Copyright Valerie J. Hayes and Quiet West Vintage (2014). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

Ladies Wear Many Hats ~ An Inside Passage Poem

Inside Passage Legendary Map By Quiet West Publishing

Ladies Wear Many Hats

Ladies wear many hats ~

We put the lady on the map,

To illuminate despair –

To journey where we dare;

To follow rivers to wilderness,

To fly and then return to nest.

To soften contours of the stone –

And pave the road with poems.

Valerie J. Hayes

Early 1900's With Real Bird

Early 1900’s with Real Bird. This Practice was Banned in 1909

1960’s Velvet Rose Hat

1940's Black & White

1940’s White on Black

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1950’s Scarlet Glamour

Carved Mother Of Pearl In Natural Sun Lit Colours

Copyright Valerie J. Hayes and Quiet West Vintage (2014). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.

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