Seeking The Good From The Past ~ Through Labours Of Love

Most of us know what it is to get into ‘the flow” when immersed in a creative project. If not, we have probably been around someone who does. The hum of a sewing machine, the whir of a spinning wheel, the songs and riffs on a guitar, the tap tap tap when making stained glass windows, gourmet cooking, and so on. During the period of relaxed concentration, there is a state of well-being, which emanates warmth around us.

My association with the state of flow involved in doing a creative project, or labour of love, is one of peace and relaxation. There is an addictive element when it comes to getting into a state of flow, I will readily admit. Once one aspect of it is completed, it has to be evaluated and tweaked.

In seeking to reconcile the past, tangible things provide a form of escapism. The diversion is partly in the intellectual curiosity surrounding what it is made of, the design and patterns, where did it come from, who made it, and most of all how much time, materials, and attention to detail went into making it?

The objectives are layered, as with most things we do. I am more than happy to sell items, and am open to offers on everything in the store. So it is not about holding onto things – as much as it is about learning and photographing them, that inspires me. It certainly has been a lot of work over the years.

Recently I ordered testing tools from a geological place called Mineral Labs in Arizona, in order to test all the coloured gemstones. So far the identification has been through some testing, experience, consultation with jewelers, and taking the word of the seller. I am now looking forward to going through the jewelery and doing a more accurate test on the coloured gemstones.

The limits on testing the coloured gemstones is the inability to identify which ones have been treated. But you can narrow it down to a near positive identification on the actual gemstones. The technology has improved a great deal over the years. They can now use a mathematical algorithm to arrive at the refractive index. You can test gemstones in all kinds of settings, and non faceted gems to a .01 carat, whereas before these methods worked only on loose gemstones, and they had to have a flat faceted contact with the pointer tip.

In addition, all the macro photography has taught me a fair bit about jewelery, since you can see things in the photos that you might have missed even with a light loupe. As far as I can tell, treated gemstones have less of an organic look. They are shinier and more waxy looking.

Photography does project some light, focus, and interest onto an object. It is especially enchanting with hand painted antique porcelain. In most cases, the light has to be right. There is one antique necklace that I tried to photograph recently and so far, cannot capture the way the mother of pearl is backlit with a pink opalescent glow. The necklace itself is sterling silver with a row of mother of pearl inserts and marcasite spacers. When the light is right, hopefully I can get a picture that does it justice.

What amazes me about all these things – is the amount of labour and materials that went into the creation of them. Even in writing a poem, I find it may only take a few minutes to write it, but will end up editing the punctuation, or minor aspects of the wording for hours on end. There is a certain amount of joy in creating something. It is uplifting – yet it can be exhausting if you do too much of it.

We have become so accustomed to fast fashion and glitzy mass produced jewelery, we can miss the real thing. It seems as though items with true artistic merit, will retain the labour of love and still shine for years to come. They do not lose their life and rust or fall apart, because of the way they were made. Perhaps some of the flow and energy from the original artist is what keeps these things alive.

As time goes on, and I have learned to authenticate items with longstanding artistic merit and many hours of labour, I have learned to appreciate what others can do.

It does appear we will have to continue to isolate more than usual. I hope we can all lean a little more toward a state of flow, in order to help alleviate the anxiety caused by covid.

My website is now probably the largest online private collection on the Internet with over 4500 unique products. It kind of surprises me to know that from doing all of the photography, I can remember details on every single item. I do think it helps to keep learning, and remembering things. Some people claim too much stuff creates clutter in our brains. Only if you have not carefully culled, organized and cared for your collection.

In summary, I suppose my goal is to go back into the past, and look for the good, in order to fill in some blanks. Or should I say repaint them, and fill those spaces with some of the art and culture that has sustained and uplifted us. It gives us something to focus on during times of isolation.

There is a great deal of satisfaction in making niche sales to customers from all over the world. In many cases, the buyer has an interesting back story as to why they want a particular item. I have met some of the loveliest people through the sales thus far. It has really helped to reinforce the good in more ways than one.

In one case, it was a beautiful 1930’s bed jacket with quilted raised outlines, chosen by an elderly lady in palliative care as something she wanted to be buried in. It was very touching, and such a romantic extension of her own personality and good taste.

In other cases, the daughters and grand daughters of a certain obscure designer were delighted to find something from their own history and family background. Another lady related how she had a beautiful kimono from the seventies that she absolutely loved – but it was lost or destroyed over the years. She was very happy to find one on the Quiet West website to replace it. It was like spreading sunshine and joy.

There is satisfaction in following through to get these special items delivered to those who will continue to treasure them, probably more than I do. It is a real pleasure to keep spreading the labour of love, the nostalgia, and to keep filling in the blanks on the pages of the past ~ with all the good things we can find.

Copyright Valerie J. Hayes and Quiet West Vintage (2020). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.