The Origin Of String Art ~ The Bezier Curve – What It Is & Where It Came From

String art is created by connecting string or yarn to hammered nails, in order to create an image through the use of angles, and geometric patterns. The most common scenes are abstract pop-art, or ships and sail boats, but there are many options in modern DIY kits.

The concept was first established by Mary Everest Boole in 1909. She was a British educator who came up with the idea to use angles, and curve stitching to teach mathematics. Based on geometry and algebra, this concept gave rise to the Bezier curve, which was first used in car designs.

Mary Everest Boole was a very intelligent woman who married mathematician George Boole. She was tutored in mathematics as a young girl, and continued her studies as an adult.

She used sewing cards and curve stitching, in addition to other physical representations of mathematical concepts, as a way to help children grasp the constructs, and have fun with learning mathematics.

She expanded her methods of representation through her book “Philosophy And Fun Of Algebra”. She explained algebra in creative and interesting ways, to include fables, with bits of history, along with various associations, and comparisons.

Her central idea was to introduce logic, math concepts, and creativity, to strengthen comprehension, conceptualization, and basic understanding – as opposed to limiting the educational value to equations, and memorization.

In later life she became involved in politics, and gave the name of a publication “The Crank” using an innovative double entendre, “because small rotations cause a revolution”.

Tied into these theories, the French mathematician Pierre Bezier was inspired by the algorithm created by fellow mathematician Paul de Castejau, who developed the curve formula. Pierre Bezier was working for a car manufacturing company at the time. He applied this idea to the design and manufacturing of cars, using the principles that can define any second degree curve using only four points.

The Bezier curve concept was made public in 1962, and initially was put forth purely as a mathematical concept.

The unintended 1960’s surge of stringing mathematics into art was a secondary outcome. The popularity of string art designs continued well into the 1970’s.

Recently I came across this delightful work of art depicting the clam digger. This piece is signed by the artist, and is from New Brunswick, the east coast of Canada. You will notice she has a bucket full of clams along with her trusty spade.

Many of the vintage string art finds are abstract circles and angles, or various different types of boats, and a few owls. There are very few remaining that depict cultural scenes of a given area. I did see one of a Native American Indian on a horse, and another of a mallard duck in flight.

At the end of this post I have included a sample of a string art sail boat on a black background. The string art boats seem to be the most common. 

But so far, this is the only string art clam digger shown anywhere online. It is definitely a cultural representation of the Atlantic east coast. The artist signature on the back top left corner, appears to be Ginette Robichaud.

Sample of A String Art Sail Boat

Copyright Valerie J. Hayes and Quiet West (2024). Unauthorized use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West with appropriate and specific direction to the original content.

The Obscure J.L. Aldenkamp ~ High End Mid-Century Costume Jewelry From The Netherlands

The jewelry made by this designer, especially the necklaces, are few and far between. There are still a few J.L. Aldenkamp leopard brooches floating around on EBay and Etsy, and a narrow bracelet with pave crystals listed on Poshmark. But that’s about it. 

The J.L. Aldenkamp maker’s mark is a triangular shape, which is known to some collectors of costume jewelry, especially those from the Netherlands and U.K.

Although I recognized the leopard necklace by this designer, is a high quality necklace, I was unable to identify the symbolic maker’s mark. It might be based on a stylistic A for the designer’s name, shaped into a triangle, with additional symbols inside of it. 

Recently I received an email from Amanda Wells-Dodge, who was kind enough to provide the name of this obscure mid-century designer as J.L. Aldenkamp. 

In this business, you learn something every day. Many thanks to Amanda! 

https://quietwest.com/shop/jewelery/j-l-aldenkamp-dramatic-gold-tone-leopard-necklace-with-trianglular-makers-mark-netherlands/

 

A Piece Of Canada’s Finery In Fashion Design ~ 1960’s Surrey Classic Hooded Velvet Coat In Deep Violet

Every Surrey Classic coat I have come across was beautifully made, with unique buttons, contrasting lining, and luxurious natural fabric. In some cases the designs reflect our Canadian conservatism. I guess being Canadian, I might have seen more of them than the average person. I assumed they are well known, but after checking on Google a few times, I cannot find the designer history (so far).

From memory, based on what I have seen over the years – I am guessing they were making coats from the late fifties until the late seventies. Many of them are camel hair or cashmere wool blends, and often in subtle, neutral toned plaids. But in the sixties they did a series of stylish cotton velvet coats in bright colours – to include hot pink, cerulean blue, indigo and purple. Below is an example of one of their velvet classics – a double breasted hooded design. It looks like a good, all-season dress coat for Vancouver’s west coast weather!

It features a square cut hood that hooks up at the neckline, adding a practical and coveted detail, as it prevents the hood from blowing off while walking against the wind and rain. The buttons are open with small, square, lucite inserts. The back has a wide half belt as an accent, to offset the slight gathering and flare of the skirt. Best of all – it is in a rich and absorbing African Violet colour – certain to be a head turner, like walking in full bloom!

Featuring Gene Shelly’s Boutique International California ~ A 1960’s Thousand Hour Gown

DSC_0413DSC_0422DSC_0441DSC_0447DSC_0396DSC_0456DSC_0285Copyright Valerie J. Hayes and Quiet West Vintage (2015). Unauthorised use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West Vintage with appropriate and specific direction to the original content.