The Roaring Twenties & Disenchanted Youth of the Jazz Era – Addiction Prevailed Then Too
When we look back at times of rapid societal change, no other time in recent history, was as wild as the jazz era turned out to be. Also known as the roaring twenties, and the flapper era – they let loose without much restraint.
It came about during a post war rebellion, and desire to break free of the prim, and often stifling structures of the Victorian era. During this time, radio and film began to emerge as a primary influence, so the music as well as the glamour, became far reaching, and spread like a prairie wildfire. The winds of change brought about a whirlwind of excess, dancing, partying, drinking, opiates, barbiturates and outright revolt.
As much as things change, human nature seems to be quite predictable. If people are stifled and oppressed, it is followed by a break out phase. If not taken to excess, it could be almost therapeutic, and redefining. But sadly, it has a dark side.
One thing for certain is that the 1920’s brought about some of the most creative expressions in music, fashion, film, architecture, and all other forms of art. Their disinhibition did not have a disregard for detail. Quite the opposite in fact.
We have heard a great deal about freedom lately. Few things capture the concept better than creativity without boundaries, because the imagination, when applied to some kind of medium, or form, can churn itself into dizzying accomplishments. But the letting loose of rules and constraints is not without its perils.
Too much freedom has a downside, and perhaps there is no greater example of this than what can be found in the life and writings of F. Scott Fitzgerald. He not only captured this era, he also lived it, so he knew what he was talking about.
When you read his biography, it becomes a bit more sad and sobering. He and his rich, spoiled, creative and flamboyantly artistic wife Zelda, partied like there was no tomorrow. It is quite incredible how he managed to write as much as he did.
The couple became associated with the introduction of the flapper era, and were also dubbed as the “enfants terribles” of the Jazz Age in the various newspapers.
Even though they lived a rich life of excess, they faced many trials and hardships. They got kicked out of numerous hotels, did outrageous things at parties, moved multiple times, and before long, Zelda was admitted to a psychiatric hospital. She was treated at various facilities, and by the time she was in her thirties, was permanently institutionalized.
Fitzgerald remained married to her, and continued to write to her until his death, even though he was living with another woman. He too, was plagued with addiction and substance abuse. He drank copiously throughout his life. He tried rehab often, and relapsed at least eight times.
Then he attempted to cure his gin habit by switching to beer, and drank forty to fifty bottles of beer each day. In addition, he took barbiturates, and choral hydrate to sleep. By the time he was in his early forties, he had cardiomyopathy, and could not walk up a flight of stairs.
F. Scott Fitzgerald died at the age of forty four of a heart attack. He became known as one of the greatest American writers, who captured the era, because in many ways, his stories were autobiographical.
Apparently, his father was also an alcoholic, so it points to a genetic vulnerability that he probably did not fully acknowledge during his lifetime.
The 1920’s was a time of opulence and excess, paradoxically tied to prohibition. Fitzgerald rubbed shoulders with many other famous writers, to include Ernest Hemingway, and Gertrude Stein.
Ernest Hemingway was another writer who was plagued with mental health disorders, and was said to have never met a martini he didn’t like. He developed paranoid delusions and bipolar disorder. His friendship with Fitzgerald did not last.
The struggles brought about by addiction, are not always known or documented in the lives of those who are less famous. But it is no less tragic, regardless of whose lives fall into the unhealthy spiral, and cycle of addiction. The outcome is evident, and becomes more and more obvious with the deterioration of both physical and mental health.
The famous writers give us a glimpse of reality, because not only do they lay bare their inmost thoughts to the world, but their lives, and struggles became a part of public knowledge.
They could not hide their demons, as they came out into the open, and pranced about at cocktail parties. Their antics also found their way to the pages of gossip columns, to be salaciously recorded for all time.
Of all the things we can learn about the various eras, upheaval, and times of rapid societal change and rebellion, we can see human nature in all of its nakedness, and the wretchedness of excess.
Poverty brings one set of problems, and excess brings another. Sometimes the two intermingle. Countless lives of famous writers, musicians and creatives, went down the tumultuous path of addiction.
Today, as I write this, we are no different, and many of us are just as vulnerable. More and more people fall into the depths of addiction, and unlike Hemingway and Fitzgerald, they are largely unknown. Their struggles are not documented, other than in the memories of those who loved them.
I think one of the takeaways when we study the historical writings and biographies of famous people, we can know that addiction is not only for the homeless, or the hobos, or those who are judged to be lesser human beings.
But rather it has no respecter of persons, and can grab ahold of, and lock anyone into its’ grip. It does not matter how rich, brilliant, talented, or creative one is. On the flip side of the coin, it also does not matter how poor, wretched, or downtrodden a person is.
For unknown reasons, for some people, there is a vulnerability, leading to a profound difficulty in overcoming the cycle of addiction.
The Jazz era was reckless and wild. The historical depiction of addiction, is something to look back on, as well as to give us an opportunity to reflect, to understand, to have compassion for, and to try to figure out how to avoid the loss of life associated with addiction.
At the core, there is a sadness, a void, and an attempt to fill that void with the wrong remedy. Yet once the cycle has begun, it is like the person has been hijacked.
I know many will say, “no one told a person to drink or party, or do drugs.” That’s true. Others rigidly adhere to the concept of taking responsibility for oneself, which is also true.
However, for those who do not have the propensity for addiction, they do not understand it is like being grabbed by a crocodile. Every time you try to get a breath, it drags you down and rolls you over again. The mind understands it is a death trap, but the will cannot wrestle it into submission.
This problem goes back to the beginning of time. In my opinion, it is only by the grace of God that we can escape addiction. We are prone to stumbling. We cannot see what is within us, to show us the way out.
Surely for the afflicted, there has to be a way out. Paradoxically, addiction is based on an attempt to escape painful emotions, but it becomes a self inflicted prison instead.
For those who are prone to addiction, due to genetics, prior trauma, neurochemistry, the lack of a shut off valve of some sort, the loss of control – whatever the reason, it is a death trap. They don’t deserve it. No one does.
Ironically, highly addictive people are often highly productive and creative, as the story about the lives of people like Hemingway, Fitzgerald, numerous musicians, and countless others can attest to.
If only the way to the exit was better lit. Not the exit out of this life, but rather the exit out of the addiction, as it continues to rob and drain the lifeblood of so many people.
If we manage to find the truth, we also see the light. Finally we can discern, there is just one door we should be knocking on. We are spiritual beings. Addiction, perhaps more than any other struggle known to humans, is a spiritual battle.
One way or another, eventually the yoke is off, and the burden is removed. In my opinion, we will never fully comprehend it.
Copyright Valerie J. Hayes and Quiet West (2023). Unauthorized use and/or duplication of this material without express and written permission from this blog’s author/owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Valerie J. Hayes and Quiet West with appropriate and specific direction to the original content.